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He will take charge of it every Monday over the course of the entire year to do exactly as he pleases.
Delhomme began in January by depicting the nineteenth-century French art critic and writer, J K Huysmans, in a hand-drawn sketch.
In it, the illustrator — who has worked extensively for publications like the New Yorker and UK Vogue in the past — imagines how Huysmans would have responded to a fictitious Instagram post to pay tribute to Edgar Degas and another contemporary, the impressionist painter J L Forain.
The artist-in-residence has already indicated that he will explore the imagined social media interactions of artists from the early twentieth century, too, such as Henri Matisse and Pablo Picasso.
However, it is not yet known how Delhomme may develop his ideas as the project progresses. Delhomme indicated that painters such as Renoir, Manet and Vuillard could all be given the Instagram treatment whilst he is artist-in-residence at the gallery.
Des Cars said that he thought this would typically involve discussing the novelty of a new type of artwork or the way in which artists operating in the nineteenth-century would have interacted with one another.
Essentially, a pop-up will be set up for a limited period of time in a location where no museum has really operated before.
The curation of such a museum is also important but the key to it is the novelty of the presentation. If museum curators think that they can ride on the coattails of a successful pop-up museum and copy it at their establishment, then the lack of originality is likely to doom it to failure.
The time-limited aspect should not be overlooked, either. Part of what the Instagram generation are after is a unique — or, at least, limited — experience that feels vital.
This is a crucial part of how the excitement is generated that leads to the buzz surrounding a successful pop-up museum. If one can be visited at any time, then there is necessarily less of a social media frenzy, even if one is generated at all.
Indeed, the location of a pop-up museum plays a big part, as well. Essentially, the location could be anywhere so long as it is reasonably easy to reach.
That said, the setting will ideally promote a thought process in itself. Just like public art that might be installed in an unconventional setting, so a pop-up museum ought to make a statement as well as reflecting on its surroundings.
This dialogue can prove to be a big strength for a pop-up museum, especially if, of course, the setting also affords visitors some Instagram-friendly moments.
When it first opened its doors in July , the Museum of Ice Cream was already counting down the days until it closed. The interactive art exhibition was based on ice cream and other types of confection in a way that asked visitors to think about food and colour in novel ways.
Co-founded by Maryellis Bunn, the museum contained a number of rooms with differing themes and colour palettes. Crucially, Bunn put plenty of focus on creating moments for the Instagram generation.
In fact, many of the arty exhibits were not simply there to be viewed and contemplated but actively encouraged visitors to take selfies with the works as colourful backdrops.
Thousands of selfies were taken during the short time the museum was open in New York, posted to the most popular visual social media networks, such as Facebook, Flickr and Instagram.
Since then, the museum has popped up in Los Angeles, Miami and San Francisco with the same selfie-taking effect. It has been visited by around half a million people thus far.
Of course, highlighting the success of a pop-up museum that built its audience through social media may seem like it is not that remarkable.
For every successful pop-up museum, like the Museum of Ice Cream, it would be perfectly possible to point out another which did not achieve the same level of interest.
The point about this particular venture was not that it snowballed so much as the fact that it was a hit from day one. The museum sold 30, tickets to attendees over the course of its first five days.
Social media had made it a success before it even opened because it was marketed there on a tiny budget. Any museum professional who is thinking about how the case study of the Museum of Ice Cream might be applied to their own establishment needs to realise that there is no true blueprint for success on this scale.
It is more a question of understanding the psychology of what visitors, at least some of them, are after these days. A pop-up museum might be an art installation, like the Museum of Ice Cream, but it could also be a travelling display highlighting a bigger exhibition at a permanent museum.
It could offer a tactile or an immersive experience or a passive one, such as a video presentation. Live or interactive elements may feature but, there again, they may not.
Generally speaking, social media has become more and more based on the visual as opposed to the written, especially when it comes to documenting cultural experiences.
View this post on Instagram. The year-old has endured a difficult spell away from the ring. Charr was denied a fight against David Haye.
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Sport all Most Read Most Recent. Paris Saint-Germain The game between the two sides was suspended in the first half after Istanbul assistant Pierre Webo was allegedly racially abused by Romanian official Sebastian Coltescu.16/09/ · September 16 By Manuel Charr Millennials used to seeking out the perfect selfie moment are hungry for cultural experiences that also afford them the opportunity to take great pictures for their Instagram feed. Although some may scoff at the idea of this self-centred approach, it . 68 Followers, 1 Following, 11 Posts - See Instagram photos and videos from mahmoud omeirat charr (@manuelcharr_fanpage). 17/01/ · Manuel Charr is yet to defend the WBA 'regular' heavyweight title, but the forgotten champion has recently hinted that his two-year absence could almost be over.